I was talking to Martin about how I would like the scene to shift and change even though the physical space I am shooting in will never change. He brought up how in theatre that is how the stage is treated, as a morphing space designed to create the illusion of many. I think subconciously I was using some of my stage experience in my ideas of Lumea's space, especially in terms of lighting and using a contrast of light to keep attention.
In my first composition Lumea is introduced and her not-shadow is created, so I made some concept sketches to illustrate that.
From the gesture drawings I did of Lumea, I also got an idea for the final pose I would like to see her in and possible the stage composition as well.
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